Orlando Voorn shares the story behind some of his tracks on FactMag. Awesome read.
At the time I had released ‘Solid Session’, I was called by a guy from a record store who said, “Blake Baxter is in front of me and his favourite record at the moment is ‘Solid Session’. He’s playing at the Roxy,” a big club in Holland. I went over there and met up with Blake, we clicked and I told him, “Shall we do something, do a project together?” I was always like that, if I saw an opportunity. It went down really smooth, I went over to Detroit for two weeks and we made two Ghetto Brothers EPs together. The first one came out after that first trip, and that’s basically how I ended up in Detroit.
Once I was there it was really easy because I got introduced to Michael [‘Mad Mike’] Banks, and he loved me because I was the quiet one. He was immensely popular back then from the Underground Resistance thing, and Robert Hood and Jeff Mills were in the same building. I came there and sat down and read a magazine. All of sudden I hear, “Yo, this motherfucker is cool as fuck! He’s not asking stupid questions about what equipment I use.” I was friends with Michael Banks really fast. He introduced me to everybody, to Robert, to Jeff. I was accepted. I met Derrick, I gave him tracks, met Kevin, gave him ‘Flash’.
And on sampling George Clinton and the P-funk all stars for his track Flash…
I heard that George Clinton said of the sample “That shit’s dope!”